Monday, January 27, 2020

History of the Piano

History of the Piano Blake Stutts The piano is a string percussion instrument which makes sound with vibrations. The cause of vibrations are the hammers inside the piano which strike the strings, and then the vibration of the strings is transmitted to a soundboard. Even though the sounding system of early and modern piano is pretty similar, there are some differences between of them. The modern piano has a cast-iron frame capable of withstanding the tremendous tension of the strings which makes a louder sound than earlier ones. Modern hammers are covered with felt, but earlier generations hammers were covered with leather. On the other hand, early piano had wood frames, and they could only lightly string. The piano is a well-made instrument that can be traced back through the centuries to create masterpieces. The piano is the most popular instrument. It is not too much to say that more people know how to play the piano than any other instrument. The piano has been many things and performed many tasks. The history of making the piano and different piano technique has had a lot of development since the 18th century. There were many forms of piano system and techniques in earlier times. A lot of attempts and efforts since then have created a well-done and popular instrument. Many musicians used the piano to create their well-known music pieces. These are only examples of differences between past and present pianos. In fact, there are many differences between the two kinds of instrument. The first piano was invented in Florence, Italy in 1700 by Bartolomeo Cristofori, a craftsman who repaired harpsichords for Italys royal court (Hoover, Adams and Rucker). He conceived Gravecembalo col piano e forte, which is a harpsichord which can produce soft and loud sounds, in 1709. In the mid-18th century, the piano had become widely popular. (Ehrlich) Throughout the centuries piano occupied a dominant place in music and society from Mozart to modern day music. Piano is the origin to most music due to the fact that the piano allows you to use all ten fingers to produce ten different notes and pitches including the use of your feet. Many pianos have had pedals or levers that comes in three causing the music to become softer, longer, or louder known as the soft pedal (una corda), sostenuto, and sustain pedal (23-24). The word piano is a shortened form of pianoforte, the Italian term for the early 1700s versions of the instrument, which derives from gravicembalo col piano e forte[1] and fortepiano (Fine and Gilbert). The piano was influenced on earlier innovations in keyboard instruments such as the clavichord and the harpsichord. In a clavichord, the strings are struck by tangents, while in a harpsichord, they are mechanically plucked by quills when the performer depresses the key (23-24). Over the centuries as the harpsichord developed the mechanic had shown instrument builders the most effective ways to construct the case, soundboard, bridge, and mechanical action for a keyboard intended to sound strings. A popular medium for musicians to create musical masterpieces, Pianos started to rise during the baroque, classical, and the romantic period. Well known composer and musician that used the piano to create their masterpiece are Johann Sebastian Bach, Ludwig van Beethoven, Frederic Chopin, Franz Liszt, and Wolfgang Amadeus Mozart. There are four types of vertical pianos, which is based on the pianos height: Spinet, Console, Studio, and the Upright. The standard width of an upright piano is about 5 and the depth is between 2 2ÂÂ ½. The total floor space should be about 5 wide by 5 deep, including bench space. The height of the piano makes no difference in the floor space needed but it makes a major difference in the quality of sound the piano produces (Types Sizes of Pianos Bluebook of Pianos). The size is measured from the floor to the top of the lid. The spinet piano is the smallest of the vertical pianos because of the dropped action that transfers the force of striking the key to the hammer strike-ng the string. The console is the most popular of the vertical pianos due to the speed of the hammer. The additional height of the studio piano gives it a richness and tonal quality comparable to those of many grand pianos. The upright piano is the final vertical piano that is the tallest of the vertical p ianos. The grand pianos is the only type of horizontal piano, but it has many sizes due to the width and length that influence the volume and the tone quality of the piano (Types Sizes of Pianos Bluebook of Pianos). Having a piano is a pain in the butt to the fact pianos are very heavy yet delicate instruments. They require professional piano movers to use special techniques for transporting both uprights and grands pianos to prevent any damage. Pianos need regular tuning to keep them on pitch and regular maintenance to ensure the felt hammers and key mechanisms are functioning properly. The tuning of a piano involves the adjustment of the tensions of the pianos strings. Aligning the intervals among their tones so that the instrument is in tune[2]. The relationship between two pitches, called an interval, is the ratio of their absolute frequencies. Two different intervals are perceived as the same when the pairs of pitches involved share the same frequency ratio. The easiest intervals to identify, and the easiest intervals to tune, are those that are just, meaning they have a simple whole-number ratio (Fine and Gilbert). The construction and components of a piano can be difficult because they ca n have an upward of 12,000 individual parts, supporting six functional features: keyboard, hammers, dampers, bridge, soundboard, and strings. Most pianos now a day the casing is made of hardwood, typically hard maple or beech. The first electric pianos from the late 1920s used metal strings with a magnetic pickup[3], an amplifier and a loudspeaker. Pressing keys on the electric pianos has the same action as a regular piano. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear (Ehrlich). Most people think the electric piano is the same thing as the electronic pianos, but they are the totally opposite. Electronic pianos are non-acoustic; they do not have strings, tines or hammers, but are a type of synthesizer that simulates or imitates piano sounds using oscillators and filters that synthesize the sound of an acoustic piano (Dacies). Luckily with the electronic pianos maintenances is not require regularly. They are really inexpensive due to their popu larity in pop and rock music in the 1960s and 1970s (Hoover, Adams and Rucker). They also allow a person to practice with a headphone on to avoid disturbing others. Digital pianos are also non-acoustic and do not have strings or hammers because they use a digital sampling technology to accurately reproduce the acoustic sound of each piano note, while connected to a keyboard amplifier and speaker to produce sound The piano is one of the most beautiful sounding instruments that can range in sound from as low as a water well, to as high as the sky. It has evolved over time and become an amazing instrument. We can thank Bartolomeo Cristofori for his hard work. The piano was accepted very well in history and it has generated many changes in the music industry. The piano was also used a lot in society and has had many applications grow from it. Without it, many classical masterpieces as well as modern songs wouldnt have been possible. Work Cited Dacies, Hugh. The New Gravoe Dictionary of Music and Musicians (Second edition). London: Macmillan, 2001. Book. Ehrlich, Cyril. The Piano: A History. Oxford: Clarendon Press, 1990. Bool. Fine, Larry and Douglas R Gilbert. The Piano Book: Buying and Owning a New or Used Piano (4th ed.). Brookside Press, 2001. Book. Hoover, et al. Piano Notes: History. 2001. Web. 10 October 2016. . Kamien, Roger. Music An Appreciation 8th Brief. New York: McGraw-Hill Education, 2015. Book. Pianos, Bluebook of. Types Sizes of Pianos Bluebook of Pianos. 2015. Web. 8 October 2016. . [1] Pollens (1995, 238) [2] A particular fixed set of pitches. [3] a transducer that captures or senses mechanical vibrations from stringed instruments

Sunday, January 19, 2020

The Use of Deconstruction in Public Policy Formation Essay -- Problem

Deconstruction is a poststructural theory that has been applied with good results to such areas as Anthropology, Architecture, Critical Legal Studies, Graphic Design, and Literary Criticism. Our purpose is to introduce it into the practice of consulting in general, and public policy formation in particular. Several features of the recent work of Jacques Derrida (the Philosopher responsible for deconstruction) are relevant to our design of a Problem Tour. Problem A deconstructive approach to problem solving puts in question the concept of "problem" and the notion of "solution." "Problema can signify projection or protection, that which one poses or throws in front of oneself, either as the projection of a project, of a task to accomplish, or as the protection created by a substitute, a prosthesis that we put forth in order to represent, replace, shelter, or dissimulate ourselves, or so as to hide something unavowable--like a shield (problema also means shield, clothing as barrier or guard-barrier) behind which one guards oneself in secret or in shelter in case of danger. Every border is problematic in these two senses" (Derrida, 1993: 11-12). An allegorical definition of the effect of problem as shield is the scene in which the ghost of Hamlet's father, a "revenant," appears in full armor on the ramparts of Elsinor. The definition involves the fusion of a series of terms: advice, advise, adviser, advisory, visor. "To feel ourselves seen by a look which it will always be impossible to cross, that is the visor effect on the basis of which we inherit from the law. Since we do not see the one who sees us, and who makes the law, who delivers the injunction; since we do not see the one who orders 'swear,' we cannot identify i... ...ames the essence of tragedy. This dynamic continues today, and is the reason for the "urgency" of the emerAgency. WORKS CITED Benitez-Rojo, Antonio (1996), THE REPEATING ISLAND: THE CARIBBEAN AND THE POSTMODERN PERSPECTIVE, 2nd Ed., Trans. James E. Maraniss (Duke). Derrida, Jacques (1993), APORIAS, trans. Thomas Dutoit (Stanford). ____________ (1994), SPECTRES OF MARXS: THE STATE OF THE DEBT, THE WORK OF MOURNING, AND THE NEW INTERNATIONAL, trans. Peggy Kamuf (Routledge). ____________ (1997), POLITICS OF FRIENDSHIP, trans. George Collins (Verso). Peters, F. E. (1967), GREEK PHILOSOPHICAL TERMS: A HISTORICAL LEXICON (New York University). Poundstone, William (1992), PRISONER'S DILEMMA: JOHN VON NEUMANN, GAME THEORY, AND THE PUZZLE OF THE BOMB (Doubleday) Ventura, Michael, "Hear That Long Snake Moan," in SHADOW DANCING IN THE USA (Tarcher, 1985).

Saturday, January 11, 2020

Certification In Education And Training Essay

Task 1 1, Explain what your main role & responsibilities are as a teacher/trainer in Education and Training (1.1) My role as a Teacher  As a teacher, one of my main roles is to motivate my learners, to develop their ability to learn also to develop my learner’s aspiration to learn. When you train to teach you read about delivering training and how to facilitating learning, but in reality you do much more than that, your role as a teacher is not just about teaching your subject or preparing learners for assessment. The focus of your role as a teacher I feel relates very much to inspiring your learners to change and develop their personal, social and professional skills to the best of their ability. My ultimate aim is to enable my learners to understand how to take responsibility for their own development. I would do this by planning and preparing teaching and learning activities that take account of the needs and well-being of individual learners as well as groups of learners. Some key aspects of my role as a teacher may be: Carrying out initial and/or diagnostic assessments. Clear communication with learners, other professionals. Promoting appropriate behaviour and respect for others. Identifying and meeting individual learner’s needs. Being aware of the support available. Being organised. Being reflective, (which means learning from successes as well as mistakes). My responsibilities as a teacher?  As a teacher, my responsibility is to ensure that learners are enrolled onto the correct course that is suited for them and to make sure of meeting their needs and abilities, also i need to ensure that my learner is on the appropriate course in terms of meeting their award and organizational requirements. To do this you I will probably have to be responsible for the following: Promoting a safe and supportive learning environment. Promoting equality and diversity. Adhering to legislation and codes of practice. Modelling professional behaviour at all times to inspire my learners. Ensuring my own professional development.  Working with a team of professionals in order to improve the experience and achievement of my learners. Designing or contributing to a design of the course curriculum. Negotiating appropriate learning targets for groups and individuals and make sure their appropriate to their needs and aspirations as well as the course aims. Planning learning activities based on the needs of your group and specific individual needs within the group. Amending or designing learning resources that are varied or appropriate to the award aims, to intellectually challenge my learners. Keeping accurate records to contribute to your organisations quality improvement strategy. This will include keeping accurate records of recruitment, retention, achievement and progression of your group, as well as evaluation of how these can be improved; Keeping accurate records of individual learners’ progress and future needs. (This is often recorded in the form of an individual learning plan). Providing learners with appropriate points of referral as required. (Word count 467) 2, Explain how your role involves working with other professionals and what the boundaries are between your teaching role and other professional roles. (3.1, 3.2) â€Å"Professionalism requires us to maintain appropriate standards and fulfil our responsibilities to learners, institutions and colleagues† (Francis and Gould, 2009). This can be achieved by setting professional and personal boundaries which will enable us to be clear about what our limits are and what our professional role involves. It is our responsibility to identify areas outside of the professional boundaries of a teacher, either because of lack of necessary skills or expertise or because it is inappropriate for the teacher to deal with it. This is when external support from other professionals will be required and it is important to identify the appropriate colleague to which to refer the matter. For example a student who is having financial problems should be referred to the appropriate colleague within the institution. With personal matters it is important not to given preferential treatment to one or a group of learners and to treat  everyone equally. Teachers should not give out personal information or get personally involved with a student e.g. not join social networking sites etc. You should avoid touching students inappropriately or give preferential treatment to some students and not others. These boundaries could have a negative effect on us as teachers as well as other professionals within the organisation. We therefore need to deal with these boundaries by referring to the Institute for Learning’s Code of Practice (2008) which outlines the behaviours expected of teachers. (Word count 234) 3, Summarise the key aspics of legislation, regulatory requirements and codes of practice relating to your role and responsibilities as a teacher/trainer. (1.2) . Teachers always have to protect themselves and the best way to do it is to follow the rules of the code of practice. Being a teacher makes me automatically an example for my students so therefore I must not discriminate, abuse (physically or verbally), dress inappropriate, and be late or turn up for teaching intoxicated. The Code of Professional Practice comes in support of all teachers as guidance to how to be a good teacher. In a continually changing society the profession of teaching is becoming more complex and important and in order to keep up with the changes, I need to ensure that I meet the highest possible standards. Following this, I must be committed to my own professional learning, seeking to expand my skills and to deepen my knowledge as a teacher. Confidentiality and Data protection Act (1998) are very important legislations for a teacher, learners expect us to respect and protect confidentiality, this duty extends to any information relating to a learner which we acquire in the course of our work. Confidential information includes personal details. â€Å"Confidentiality can be defined as when one person receives personal or sensitive information from another person, then that person who receives the information has a duty not to pass it on to any other person without the consent of the person who confided in them.† As a professional teacher, I won’t share any information regarding my students unless the situation requires it. I’ll do my best to keep safe the information they are sharing with me and to gain their trust, if they will trust me then they’ll feel safe in my classroom. (Word count  272) 4, Explain how to maintain a safe and supportive learning environment. (2.1) â€Å"Good classroom management depends a lot on how you establish the ground rules at the beginning of a course. Students need to know what you expect from them and what they can expect from you during the course. They need to know where the boundaries lie and what will happen if they step over the boundaries.† (http://www.teachingenglish.org.uk/language-assistant/teaching-tips/establishing-ground-rules) I feel that ground rules are useful strategy to help set the expectations of how a group can achieve a organized and pleasant approach when working together in the class room. When the ground rules have been established and agreed with the group you are working with, this then provides a frame of reference for the future. It can be useful at times for the ground rules to mainly be suggested by the students to give a sense of ownership, however teachers, might at times, wish to include suggestions in the ground rules if not thought of by the group. This is particularly important for teachers of adults, as it is an accepted way of looking at how students will agree appropriate behaviour, and be respectful during the learning process. When there arises some difficulties in the classroom related to behaviour and respect, the teacher can use the ground rules as one way of opening a dialogue or indeed to bring order back to the learning environment. A way of promoting appropriate behaviour and respect is to keep the established ground rules as an existing agreement, so it may be added too during the duration of learning with the group and learn from it and adapt it to other groups for future learning. (Word count 270) 5, explain why it’s important to promote behaviour and respect for others. (2.2) One of the most effective ways to promote appropriate behaviour and repect for others is to model the behaviour yourself. Create a learning environment where people feel comfortable in expressing their interpretation of what they believe appropriate behaviour to be. This may vary slightly or considerably depending on who is involved  within my case. An open discussion at the beginning of proceedings allows an opportunity for everyone to contribute. This may bring up cultural or behavioural differences which can be expressed and may raise issues not previously considered by some. It is important to do this to promote equality and diversity within the learning environment and not to raise issues and complicate learning for my students. (Word count 116) 6, Explain why it’s important to identify and meet individual learner needs and describe the points of referral to meet these needs. (1.4, 3.3) It is important that you identify the needs of your learners so you can design the course to reflect individual differences. Although this is usually described as the first stage in the teaching/training cycle it is a process that may have to be deferred until you meet your learners for the first time and usually should be a continuing requirement throughout the learning journey. However, some organisations interview their learners before the course, or there may be an application process where learner needs can be identified. The range of learner needs can be described by a variety of acronyms – one of which is used is; SPICE: Although inclusion is about supporting learner’s needs, it is not always possible for teachers to do this without support themselves. You should be aware of the limits of your responsibility and know when and where to access support both for yourself and your learners. If you have a line manager, he or she should be your first point of contact for referral. If you have team meetings or contact with other teachers, your colleagues may also be able to help through their own previous experiences. Support may be available in your own organisation, through a learning support department or from Skills for Life specialists. Some organisations have specialist resources for supporting disabled learners or may be able to provide a learning support assistant. It may be appropriate to refer a learner for an Information, Advice and Guidance session either within your own organisation or to an external organisation. Many of the voluntary and charitable organisations have websites with advice about teaching strategies to support people with sensory or physical disabilities or may be able to supply resources. Points of referral will differ according to the type of organisation you work in; it is your responsibility to find out what support is available locally. (Word count 433)

Friday, January 3, 2020

Growing Up As A Young African American Girl - 869 Words

Growing up as a young African American girl in Philadelphia was not always easy, however, having a strong family structure, old fashion southern culture, and beliefs have molded me into the strong women that I am today. Now that I am a mother, following my family’s culture and beliefs are not always the easiest thing to do. Times has changed and I feel like I am forced to conform to the everyday social norms of America, which makes me feel impuissance. Yes, growing up was not easy, but my family and youth kept me in the dark when it came to how society treats individuals of darker complexion, what to expect once I left the confines of my family and neighborhood, and how to befriend or interact with individuals of other racial groups. All of the things that I listed were things that I had to learn through trial and error, which makes life a little harder than it already is. 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Thursday, December 26, 2019

Poverty Of A Indebted Poor Countries ( Hipc ) A Project By...

INTRODUCTION This paper looks at the Highly Indebted Poor Countries (HIPC) a project by the IMF and World Bank. DEBT RELIEF KEY TO POVERTY REDUCTION The World Bank and International Monetary Fund (IMF) with its view that no poor country faces a debt burden that it cannot manage, came up with an initiative in 1996 called HIPC initiative. Since then, the International financial community and the multilateral organizations and governments have worked tirelessly together to reduce external debt to sustain levels for the many Highly Indebted Poor Countries. The World Bank and its partner IMF believes that poverty reduction will come by reducing debt levels of the country. NEGATIVE OUTCOMES OF HIPC INITIATIVES ON ZAMBIA The World Bank and the IMF, almost always put conditions to members states to access financial assistance. HIPC countries like Zambia were not an exceptional. Four conditions were put in place for HIPC to meet, this includes: 1. be eligible to borrow from the World Bank s International Development Agency. 2. Face an unsustainable debt burden, that cannot be sustain through traditional mechanism debt relief. 3. Have established a track record of reforms and sound policies. 4. Develop a Poverty Reduction Strategic Paper The technicalities behind the above conditions came at a price, which to date, a little of progress has been seen. Civic leaders under the leadership of President Levy Mwanawasa of the Republic of Zambia, were on each other s tails.Show MoreRelatedInternational Monetary Fund And The World Bank1679 Words   |  7 PagesTHE WORLD BANK AND IMF - HIPC International Monetary Fund and The World Bank, though has a good purpose of their existence, they have come under lots of criticisms as to how they use the leverage of being in a position of helping poor countries to either recover from economic collapse or give them debt relief and economic boost from loans they give out to them to impose policies and condition that those poor countries has to implement. 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Wednesday, December 18, 2019

Characters With Psychological Disorders Adrian Monk and...

It seems recently that the entertainment industry has provided America with authentic portrayals of characters that are suffering with psychological disorders. At first glance these characters seem to depict the disorders they are given in a somewhat realistic light. At closer examination though, the truth of the seriousness of these disorders seems minimalized and at times even glorified. Two characters that come to mind are Adrian Monk, of the USA network show Monk, and Dr. Gregory House of the Fox TV show House. Adrian Monk was brought to life by actor Tony Shaloub, and was a funny and enjoyable detective show, which has now ended after eight successful seasons. Adrian Monk is a very likeable â€Å"Colomboesque† detective who was†¦show more content†¦Frequently episodes would focus on Monk being obsessed with a singular thought for example remembering a schoolmate bullying him and on a different episode wondering if a friend was going to â€Å"steal† hi s therapist. Monk repeatedly stated that he wished he could be more like â€Å"normal people† which did bring to light the obviously unwanted nature of his disorder (Feldman, 2008). Often though, the show depicted his disorder as funny and sometimes cute and endearing to those around him. Since I have a cousin who has been struggling with this disorder her entire life, I know that this is not realistic. My cousin has not been able to keep many jobs, and has lost most of the relationships with friends and even family. Idiosyncrasies that may be funny at first glance become annoying and difficult for those around the person to understand and put up with, especially on a long term basis. I do feel this show made an admirable attempt at depicting this disorder in a realistic manner and also keeping the entertainment level needed to keep people watching. Furthermore, it seems the show grew more realistic in depicting Monk’s disorder as it progressed. (Monk, 2002) . Another character that displays a psychological disorder is Dr. Gregory House, the title character of â€Å"House† which is portrayed by HughShow MoreRelatedOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pagesrelevance of white ethnicity in the United States, not only regarding public activities like voting but also in terms of intimate behavior such as mores and manners, childrearing practices, adolescent styles, and attitudes toward illness, psychiatric disorders, and authority, even in cases where the individuals examined were not particularly aware of their ethnicity.70 The recent waves of migration are still too new to say anything definite based on the situations of existing migrant communities. The

Monday, December 9, 2019

The Reason Causing Trade Deficit in Indonesia free essay sample

Secondly, they can produce and sell the products to a larger market and lastly international trade benefits of scale. One more terminology which I am going to use in my report is â€Å"deficit trade†. What is deficit trade? Deficit trade is an economic measure of a negative balance of trade in which a country’s imports exceeds its export, deficit trade is also represents as outflow of domestic currency to foreign market. I will begin this report by introducing you the background of the Indonesian’s international trade. Indonesia has become increasingly globally integrated over the past half century, with its ratio of trade to GDP rising from 30 percent in 1970 to 60 percent in the 2000s(graph1). There have been substantial shifts in the composition of Indonesia’s export over the past 50 years (graph2) with the oil price surged in the 1970s and early 1980s. The Agriculture has also risen in 1969, but later in 1971 to early 1990s its export has declined. We will write a custom essay sample on The Reason Causing Trade Deficit in Indonesia or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page But for the Manufacturing is different as we can see from the graph that its export increased from just 2 percent of the total export in 1980 to 46 percent in 1993. graph1) (graph2) A different set of trends have been seen since the early 1990s. The manufacturing share of export and other exports have become decreasing day-by-day and cause â€Å"Deficit† for the trade of country and becomes a big problem for the Indonesian people until now-a-days. In the graph 3, at the beginning of 2011 the export of Indonesia was stable and getting profits, but after it entered to 2012, the export of the Indonesia was fluctuated and become unstable. And at the middle of the year, the export of Indonesia dropped with very fast rate and become deficits for the country. (graph3: Indonesia balance trade, it shows the deficit of the country from may 2012~) Accordingly to the article which I have read from the Jakarta postdated, I have learnt that due to the on-going slowdown in world economy, especially the debt crisis in Europe and high debt and surged unemployment rate in the US, causing the Indonesian continued trade deficit. But this is not the only reason that has caused such the Indonesian trade deficit. In this essay, I would like to rise up three main reasons which are causing the slow-down of Indonesia exports. The three reasons are as follows: Firstly, price fall and shipment fall in natural-resource based commodities which are lion-share of the Indonesian export items such as coal, palm-oil and rubber. From these natural-resource based export commodities, the coal makes Indonesia the world’s top thermal coal exporter and its 5 largest export destinations are China, South Korea, India, Japan and Taiwan. Today, India is the largest export market for Indonesia coal followed by China. But, In June this year, the shipment of coal which is the main natural-resource based export commodity of Indonesia to China has fallen 13 percent with volume of about 26. 2 million metric tons from 30. 16 million tons in May. Not only coal that is falling in the shipment, nickel exports also dropped 80percent to 572,106 tons from 2. 85 million tons in May. Moreover copper exports declined 89 percent to 20,000 tons in the same month from 193,941. 34 tons in May. In sum, all main commodities which Indonesia is exporting have been fallen markedly in terms of percentage and the volume of the shipment which is bad for the exports of the country, so, I can say that price falls and the shipment falls is one of the reasons which causing the Indonesian export deficit. Secondly, according to the table of trade balance with major partners, which is I have seen in the article (table 1). It shows that Indonesia is suffering from the trade deficit with 7 out of 10 countries whose are their major trading partners. S exports†. According to her words we can know that the economic situation in both Europe and the United states is really unstable which can further hurt the exports from Indonesia due to demands for the Indonesian natural-resource based commodities remain low in U. S and Europe markets. In my opinion, it is impossible to make the export in Indonesia become completely stable or has no trade deficit in the short period of time; it may needs least 2 years or more than that for both US and Europe economic recovery. But, there are several possible ways which is help to improve the Indonesian export to become better in the future. The first way, is that the country can decrease the imports and boost domestic demand and consumption through the diversification of â€Å"Indonesian-made† products. It can produce high quality and home-design products, such as a traditionally clothes like â€Å"Batik† or build more industry which is produce batik so that there is more products of Batik to satisfy needs and wants of the Indonesian people including foreign tourists who are fond of the country’s Batik. This wills benefits for the export also if the country has more quality products and when the global economy is gradually recovering goods. Last but not least, I think the Indonesian exports can be promoted at this time because of the depreciation of its Rupiah where production and domestic’s raw-material costs will be reduced and cheap, but not to increase the import of imported capital and raw-material goods.